Saturday, April 21, 2012

'WHEN SOMETIMES SHE IMAGINED HERSELF LIKE HER MOTHER': THE CONTRASTING RESPONSES OF CAM AND MRS. RAMSAY TO THE ROLE OF THE ANGEL IN THE HOUSE.

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Cam is a striking character because of both her resistance to her mothers promotion of the Angel in the House and her struggle to come to terms with her own identity as having been influenced by this AngelOne way this meaning makes itself apparent in To the Lighthouse is through an analysis of the individual responses of Mrs. Ramsay and Cam to the role of the Angel in the House. Enacting the Angel role requires one to relinquish her independence. Mrs. Ramsay sacrifices her independence, enacts the Angel role, and attempts to educate Cam to also relinquish her independence so as to adopt the Angel role as her own. Cam, however, is a rebellious daughter who struggles with her mothers teachings and eventually responds to them by refusing to enact the Angel role. In doing so, she envisions and takes a first crucial step towards creating a hopeful future in which a modern woman may assert her independence, pursue her individual, unique cause, and surmount those who attempt to coerce her into what she perceives as the outdated Angel role. Analyzing Cams refusal to enact the Angel role allows meaning to surface, not just about the text and characters, but about the way enacting roles and refusing to enact roles influences ones sense and perception of her identity.


Cam also undergoes a painful process in which she, bothered and tormented by the influence of the Angel role, attempts to come to terms with this influence and to reject this role for herself. I do not propose, necessarily, to read Cam exclusively as Virginia Woolf because although the connections and similarities are too numerous to go unnoticed, they are not absolute, and looking to Cam for insights into Woolf can at times even be misleading. What I do propose is that, in light of Woolfs rejection of the Angel role and consequent success as a writer, we give Cam her due as a modern woman who, like Woolf, suffers dreadfully at the hands of the Angel role, engages in a difficult struggle to free herself from its hold, and eventually liberates herself from its influence, thereby enabling her to emerge as independent and free to pursue her own meaningful, professional, and educational cause. Mrs. Ramsay finds several ways to educate James and Cam about how important it is for a woman to enact the Angel role. The day comprising The Window section, for example, is spent reading to James The Fisherman and His Wife, the story of the wretched fate of a woman who longs to directly enter into and enact change within the public sphere as a king, an emperor, and finally as a pope.[16] The wife in this Grimm Brothers tale is ambitious, independent, determined, perseverant, and powerful as she seeks to be more and more influential. As a result, she is severely punished. This story validates Mrs. Ramsays chosen role as Angel and castigates the modern woman as one whose independence is harmful, unattractive, and therefore worthy of punishment. The message Mrs. Ramsay thus conveys to James is that men should be wary of and ultimately reject women who possess traits characteristic of the modern woman since these traits will inevitably yield the demise of both the husband and the wife. The Angel in the House, Mrs. Ramsay teaches James, is the only proper role for a wife.


James willingly absorbs Mrs. Ramsays lessons but Cam is far less malleable and much more resistant to her mothers teachings. Mrs. Ramsay and James shared the same tastes and were comfortable together (p. 56), and Cam is an anomaly when the three are together. When Mrs. Ramsay reads the Grimm Brothers tale to James, for example, Cam chooses to shoot out of the room rather than to listen to Mrs. Ramsay read the tale; apparently the only thing she finds alluring about this story is the word Flounder. Cam is by nature a rebellious daughter. The Window depicts her dashing around, refusing to stop for anyone--Mr. Bankes, Lily, her father, her mother--and rejecting Mr. Bankess offered hand (p. 54). Moreover, she refuses to sacrifice her own desires and needs in order to enact a role required to appease Mr. Bankes. Cam races right past when Mr. Bankes, who would have liked a daughter of his own, holds out his hand to her. Moreover, she protests when she is told to give a flower to the gentleman (p. 1) and absolutely refuses-No! no! no! she would not! She clenched her fist. She stamped (p. )-to succumb to the nursemaids lesson about how a young girl should act the sweet, submissive, angelic part towards gentlemen when given the chance. Cam will not be coerced into playing a role simply in order to appease the men in her life, and as a result she is labeled a wild villain (p. 54); villainy is here equated with Cams refusal to relinquish her independence. She is by nature free-thinking, independent, and resistant to any attempts by authority figures to coerce her into or even to suggest that she should enact the self-sacrificing Angel role. Such independence demonstrates Cams resistance to the Angel role and her embodiment of traits characteristic of the modern woman.


Mrs. Ramsay, however, is the one person in The Window who is capable of wearing down Cams independence and forcing her to enact the Angel role. Earlier in the day, before her rigid lesson about sacrificing herself to her brothers demand that the pigs skull remain intact and within view, Cam was off like a bird, bullet, or arrow (p. 54). She ignores her mothers first call, But when Mrs. Ramsay called Cam! a second time, the projectile dropped in mid career, and Cam came lagging back to her mother. Cam, however, though Mrs. Ramsay figuratively shoots her down, has not yet been completely subdued. Mrs. Ramsay wonders what was she dreaming about as Cam stands before her, Mrs. Ramsay notes, engrossed, with some thought of her own, so that she had to repeat the message twice (my emphasis). Mrs. Ramsay notices Cams free-thinking independence and creativity. She recognizes that Cam does not accept her words verbatim, but instead must screen and modify them until they are her own before she will convey them to anyone else. Mrs. Ramsays words are merely dropped into a well, where, if the waters were clear, they were also so extraordinarily distorting that, even as they descended, one saw them twisting about to make Heaven knows what pattern on the floor of the childs mind. What message would Cam give the Cook? Mrs. Ramsay wondered (pp. 54-55). Mrs. Ramsays words, once they leave her mouth, enter Cams independent mind where they will be altered and conveyed at Cams discretion. Mrs. Ramsay, however, will not allow this free-thinking. Cam, upon returning from the kitchen, begins to describe to her mother her unique, individual perspective on the situation in the kitchen (there was an old woman with very red cheeks, drinking soup out of a basin [p. 55]), but Mrs. Ramsay stifles this free-thinking and at last prompted that parrot-like instinct which had picked up Mildreds words quite accurately and could now produce them, if one waited, in a colourless singsong. Mrs. Ramsay forces Cam to relinquish her creative hold on words and interpretation and to instead adopt others words as her own. Cams submission is complete at the end of this scene as she no longer thinks about or interprets the situation in the kitchen, but rather, repeats Mildreds words verbatim No, they havent, and Ive told Ellen to clear away tea.


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Later that night Mrs. Ramsay tries to convince Cam that the pigs skull is a nice black pig like the pigs at the farm (p. 114). Cam initially will not accept her mothers words or opinion as her own and instead insists, even argues, that the pigs skull is a horrid thing, branching at her all over the room. By the end of the lesson, however, Cam is literally repeating Mrs. Ramsays words, verbatim, as she falls asleep in complete submission, articulating that the pigs skull was like a mountain, a birds nest, a garden, and there were little antelopes (p. 115). The scene out on the lawn illustrates the same situation. Cam begins her lesson with her own thoughts, perspective, words, and opinion, but after Mrs. Ramsays coaxing, Cams independent thinking is stifled and she sinks into submission by doing no thinking at all, but rather adopting the exact words and perspective of others as her own-a typical Angel trait. The effect of Mrs. Ramsays teaching is severe as it wears and wears Cam into denying her innate, modern-woman independence and instead insists that she adopt the Angel role as her own. By the end of The Window Cam is learning to choose her actions according to what will please men rather than according to her own innate tendencies. She is learning that self-sacrifice must take precedence over maintaining ones independence when others demand things frown her. She learns to stifle her own independent thoughts, opinions, and words in order to adopt others as her own, and she learns that most people around her-Mrs. Ramsay, Mr. Bankes, the nursemaid, and James-prefer that she adopt the foreign Angel role rather than satisfy her own inherent, independent characteristics. In short, Cam demonstrates her tendency to want to nurture her innate modern woman qualities, but she is learning throughout the time comprising The Window that she must forsake these qualities and instead become an Angel in the House.[17]


The third section of To the Lighthouse finds Cam still struggling against and trying to come to terms with her mothers teachings.[18] The trip to the lighthouse is difficult for Cam as she wrestles with the influence Mrs. Ramsays teachings have had on her own sense and perception of her identity, as she tries in spite of these teachings to envision for herself a future as a modern woman, and as she still finds herself needing to resist others attempts to coerce her into the Angel role. Mr. Ramsay, in what could be perceived as an effort to instill in Cam a sense of her identity as linked to times passed, tells Cam to look for their house on the island. Cam, irritated, thinks that to be forced, from no will of ones own-to be cruelly, sitting in the boat looking at that island was an astonishing fact (p. 1h). Cam has little interest in satisfying her fathers need for her to identify with her past. Reluctantly, she looks up, but she will not see what her father wishes her to see. She gazes at the island, but even the shore looks far away, unreal (p. 166). The house itself seems invisible to Cam since already the little distance they had sailed had put them far from it and given it the changed look, the composed look, of something receding in which one has no longer any part. All things associated with the house, Cam feels, were gone were rubbed out; were past; were unreal, and now this was real; the boat and the sail with its patch (pp. 166-67). Cam, in this scene, is reluctant to look towards the past, and all she sees when she is pressed to look behind her is a past that is gone, unreal, and which looks different when one perceives it from the enlightened, privileged perspective which time and distance provide. Cam, as a result of this new perspective, is at this moment interested in thinking only about the reality of the present.


Just as Cam is reveling in her new sense of the present, however, her fathers words broke and broke again in her mind (p. 167) until she relapses into her old enforced habit of relinquishing her own thoughts and opinions in order to repeat others words verbatim. At this moment, Mr. Ramsay, after having misread Cams inability to see the house, assuming instead that She was shortsighted, like her mother. She could see nothing clearly (p. 85h), mocks Cam for not knowing the points of a compass. He ridicules Cam until she is frightened, he annoyed, and concludes that tie thought, women are always like that; the vagueness of their minds is hopeless; it was a thing he had never been able to understand; but so it was. It had been so with her-his wife (p. 167). Mr. Ramsay underestimates Cams potential as a modern woman, assumes she is an Angel like Mrs. Ramsay, and Cam, as a result, becomes scared of his half laughing at her, half scolding her. She watches Macalisters boy tug the hook out of the mackerel lying kicking on the floor of the boat with blood on its gills, an objectification of the mutilation of her own modem woman traits, and concludes this section, not surprisingly, looking sadly at the shore and envying life in a place where there is no suffering (p. 170).


Cam dips her hand in the water as her mind made the green swirls and streaks into patterns and, numbed and shrouded, wandered in imagination in that underworld of waters where the pearls stuck in clusters to white sprays (p. 18). Critics typically see this scene as evidence of Cams suicidal fantasy, and I agree that the wording here suggests death imagery, but I think it is important to note that it is Cams mind-not her body--which in this passage is numbed and shrouded. Most importantly, the wording quoted here also resembles Mrs. Ramsays comment, worth quoting again here for the sake of comparison, that others words, to Cam, seem to drop into a well, where, if the waters were clear, they were also so extraordinarily distorting that, even as they descended, one saw them twisting about to make Heaven knows what pattern on the floor of the childs mind (pp. 54-55). Cams creative mind, when functioning at its full potential, takes possession of others words and shapes them, modifies them until they are her own; in doing so, Cam is able to realize her free-thinking independence. It may be possible, then, to see this scene as illustrating Cams mind, numbed and shrouded from Mrs. Ramsays influential lesson out on the lawn, slowly regaining its independent tendency to form her own thoughts as they twist, turn, swirl in water and form patterns in her mind. In utilizing her mind in this creative way, both out on the lawn with Mrs. Ramsay and in this scene in the boat on the way to the lighthouse, Cam recaptures the independent thoughts absent during the moments when she is forced or feels compelled to merely reiterate others words verbatim. As Cam dips her hand in the water, as her mind indulges itself in imagination, she once again looks at this island, notes that it seems so small, and once again recovers her independent creativity as she tells herself a story of adventure about escaping from a sinking ship (p. 188). In doing so, Cam circles back to her mindframe on the lawn before Mrs. Ramsay truncates her creative, imaginative story, and regains, without interruption this time, her innate tendency to think her own creative thoughts and shape others thoughts until they are her own.


The story Cam tells herself as she lulls herself out of her drowsy lethargy is a story of escape from a mortal situation. During isolated moments of regression, usually sparked by an incident in which her modern woman traits are further mutilated, Cam envies the ghosts resting in the outdated, receding past, but thoughts of suicide repel and often terrify her. When her father even articulates the mournful thought of dying at sea Cam half started on her seat. It shocked her-it outraged her (p. 166). Cam imagined dying, like these fish, beating their tails up and down in a pool of water on the bottom of the boat (p. 54h), but when she catches a fish, when Macalisters boy jerks the hook out, when she actually sees the fish dying and recognizes that she played an integral part in this fishs suffering, Cam all together shut up. She would not bait the hook again (p. 50h). Cam is horrified that she had any part in the killing of a fish whose suffering she time and time again parallels to her own situation. In refusing to bait another hook and risk killing another fish, she also, then, refuses to have any part in her own death. Moreover, Cam imagines the men in the ship drowning (pp. 54-55h), but she twice envisions herself escaping from a sinking ship (pp. 188, 10); the implication is that Cam wishes to escape to a situation where she will live rather than perishing in a situation in which she will otherwise be drowned.


Cam tells herself fictitious stories about escaping, but the imaginative world does not offer Cam the life she covets. She decides that she did not want to tell herself seriously a story; it was the sense of adventure and escape that she wanted (p. 188). The imaginative world does not suffice as it did when she was a child. Cam now tells herself a story but knows at the same time what was the truth (p. 05). She now wants to escape on an adventure to a world replete with adventure and escape, one that exists outside her imagination. She reflects on her fathers anger towards her, Jamess obstinacy, her suffering, and decides that letting it go will enable her--not to be with the ghosts, for she feels a fountain of joy that she should be alive, that she should be there (p. 18)-but rather to escape on an adventure to a world not realised but turning in their darkness, catching here and there, a spark of light; Greece, Rome, Constantinople (my emphasis).


Cam, immediately after articulating to herself her desire to escape to a world not yet realised, reflects that every place has its time in history. Even the island, small as it was, and shaped something like a leaf stood on its end with the gold-sprinkled waters flowing in and about it, it had, she supposed, a place in the universe (p. 18). A leaf, critics commonly note, is associated in The Lighthouse with Mrs. Ramsay and her influence. Thus, in wondering about the island in its leaf-like form, Cam, by association, thinks about Mrs. Ramsays teachings and influence as a phase in history which merits understanding as part of a consequential, distant, and seemingly unreal past, but which does not necessarily hold a place in the future. Thus, in seeing the island as receding and distant from the new perspective on the boat (a perspective free from Mrs. Ramsays direct control), Cam sees Mrs. Ramsays way of life as part of a past to which she does not want to return. Mr. Ramsay, Cam notes with envy, escapes from the frustration of his world through reading (p. 0), and Cam, also, wants to escape to a world where she may educate herself, think, and become a historian and a philosopher. The world to which she longs to escape, therefore, is a world where women enact different roles from those they used to play, a world where women can realize their full potential. This world is not yet realized, but it is catching sparks of light here and there, and Cam feels up to the challenge of taking the first steps to not only envision but create this world. She envisions herself as a leader directing the survivors of disaster, and all depended upon her catching a fish (p. 1h). She feels wildly excited and looked beside herself with excitement (p. 50h) when she does, in fact, catch a fish, thereby confirming her success as the leader of the survivors. Again, she is crestfallen a moment later when she realizes she has hurt the fish, but the joy she experiences upon recognizing that she is able to catch the fish, and that she has therefore proven herself a successful leader through her own means, demonstrates her own confidence in her ability to lead the survivors of disaster into a new world.


Cam is a pioneer in this world not yet fully realised, however. Thus, her escape to and actualization of this world, she understands, will be quite difficult since it is a world in which only the patriarchy currently provides answers to the kinds of questions she has and in which men laugh at women who even ask such questions. In this world Cam may with new zest apply herself to all those familiar half-solved questions which, she took up at odd intervals and carried a little further; let alone, and then again explored; how the world had come into existence; about the ancient civilisations of Egyptians; Greeks and the Byzantine empire; whoever might be Shakespeare and camels and tribes marching about the world; their conglomerations in cities like Athens, Rome, London (p. 0h). Cam brings these questions, along with the question of the place of the island in the universe (Mrs. Ramsays Angel role and influence), into the study with her to pose to the gentlemen. These questions, however, she can only pose Silently, of course, without asking him [Mr. Ramsay] about anything; for that would have been impossible. Cam demonstrates impressively sharp and perceptive judgment in her decision not to pose such questions to a man who insists that she is almost entirely comprised of Angel traits and who, after reflecting upon the hopeless vagueness of womens minds, asks himself the rhetorical question, did he not rather like this vagueness in women? It was part of their extraordinary charm (p. 167). Mr. Ramsays opinions are inflexible, Cam recognizes, and his answers to these questions are incontrovertible (p. 0h). He believes himself able to assert his opinions with complete mastery and refuses to allow them to become disordered. He walked among all the incoherent, the wild and tumultuous ideas that come to her [Cam] with a type of sarcasm which seemed to laugh at her own strangeness and which sometimes made her blood boil. (p. 0h). She therefore relies on herself to answer these questions, and her independent mind analyzes, shapes, and forms its own opinion while she listens to others express their thoughts.[1]


Cam, while in the study, listens to the mens thoughts, but she does not adopt their opinions as her own. Rather, she stands in the study and allows whatever one thought expand here like a leaf in water (p. 18). Just as Cam took Mrs. Ramsays words spoken to her out on the lawn and modified and expanded them in the waters of her imagination until they were her own, she also takes the mens thoughts expressed in the study and allows them to alter, to twist in the water, and to make their own pattern in her mind. If these modifications/expansions do well in her mind as she quietly stands in the study, then it was right (p. h). Cam would like him [Mr. Ramsay] to approve of her thoughts, but not to know them, she liked this so much, she felt exalted (p. h). It would be nice for Mr. Ramsay to offer confirmation, Cam thinks, but it is not necessary, and she feels just as exalted and content without receiving his approval. Going on with whatever was in her mind in his presence, Cam recognizes, pleased her & she felt herself to be of a very exalted world; a more exalted world than the picking up of odds & ends of what they said (p. h). Her world of forming her own opinions is more exalted than passively listening to and adopting the mens thoughts as her own because her opinions, she recognizes, are the ones which matter. One recalls that Mrs. Ramsay, while out on the lawn with Cam, observes Cams tendency to shape and modify Mrs. Ramsays words until once more, they are Cams own before she conveys then] to the cook. It is likely, then, that Cam, just as she has demonstrated the capacity to regain her ability to form her own thoughts, will in this new world regain her ability to verbally convey to others the opinions she forms for herself.


Cam recalls that during her moments with the men in the study her father would ask her, when he saw her reading a book, Was there nothing he could give her? (p. 10).[0] These words echo the words Mr. Ramsay chooses--Had she everything she wanted? (p. 15l)-when he approaches lily out on the terrace in a moment when an enormous need urged him, without being conscious what it was, to approach any woman, to force them, he did not care how, his need was so great, to give him what he wanted. One wonders, then, if Mr. Ramsay, after asking Cam if he might get her something, attempts to coerce her in some way just as he tries to coerce Lily out on the terrace. Cam, shortly after she reflects upon these times in the study, murmurs her fathers words verbatim about how we perished, each alone (p. 11). She is vulnerable in the study and susceptible to adopting others words and opinions as her own if she does not constantly and absolutely resist the people who attempt to compel her into the Angel role of having no thoughts of her own. The study is a place where one may learn, expand her mind, analyze and modify ones opinions and the opinions of others, and it thus is an enlightening, invigorating place in which a modern woman pioneer may learn; but the study, Cam realizes, is also a place of patriarchal danger. She therefore remains silent while in the presence of these men so that her own embryonic opinions may be allowed to grow and mature before she conveys them to others, while being tainted as little as possible by her father who believes her to be an Angel and who scoffs at and ridicules her attempts to be otherwise.


Cams ambivalence about her experience in the study also exists regarding her feelings about her father. She understands the limitations he presents as well as the threat of his tyranny, yet Mrs. Ramsays promotion of the Angel role has evidently made a severe impression on Cam and still affects her as she sits in the boat and idealizes her father. Mrs. Ramsays lesson about the skull interrupts Cams thinking just as Cam looks at the island and perceives of it as so small that its leaf-like shape is hardly visible and has just about disappeared. As before, Cam, who under Mrs. Ramsays guidance fell asleep repeating verbatim her mothers words, once again at this moment--just as she believes the island has nearly disappeared-repeats these same words-it was a valley, full of birds, and flowers, and antelopes (p. 04)-as she Falls asleep on the boat. Cam, though resistant, has been conditioned to enact the role of the Angel, and she therefore while on the boat occasionally regresses and lapses back into the moments during her childhood when Mrs. Ramsays teachings had successfully coerced her into submission to the Angel role. During these moments, Cam often mimics her mothers behavior of idolizing Mr. Ramsay. She idealizes his appearance and capabilities (pp. 165, 16, 10), but Cam also associates Macalisters boys mutilation of a fish with Mr. Ramsays crass blindness and tyranny which had poisoned her childhood so that even now she woke in the night trembling with rage (pp. 16-70). Cam sometimes perceives of Mr. Ramsay as her preserver. When she is in the study, for example, Cam thinks that she can go on thinking whatever I like, and I shant fall over a precipice or be drowned, for there he is, keeping his eye on me (p. 05). A moment later, however, Cam wonders if he was leading them on a great expedition where, for all she knew, they would be drowned. Her ambivalence towards Mr. Ramsay is understandable as she wrestles to break free from a binding past which merited her idealization of her father. Cam is hardly oblivious to the threat Mr. Ramsay poses, but her inner struggle with her perception of him is intense as she sits in the boat visualizing him sometimes as a serious hindrance to her modern woman capabilities, sometimes as not absolutely or exclusively tyrannical, and sometimes from the perspective of someone who has been conditioned to idealize men and behold them from the viewpoint of an Angel in the House.


Louise DeSalvo states that it is Cams ambivalence towards him [Mr. Ramsay], and the extremes of her emotions, that are so maddening.[1] Cams ambivalence, however, though certainly maddening, also makes her capable of verifying her perception of Mr. Ramsay during what she perceives as his occasional untyrannical moments. Her recognition of him during the infrequent moments when he does not appear to her to be a tyrant empowers her to resist James who has taken it upon himself to continue his fathers tyranny into the next generation. At the beginning of the long awaited trip to the lighthouse, James and Cam are united in their hatred for Mr. Ramsays tyranny. Together they decide to enforce their belligerence, as they vowed to stand by each other and carry out the great compact--to resist tyranny to the death (p. 16). Cams dedication to the compact, however, is far less devout than is Jamess. Her idealization of Mr. Ramsay, she understands, conflicts with her hatred of his tyranny--she feels proud of him without knowing quite why (p. 164)-and she tries to subdue her reverence for him by reminding herself of the reasoning behind the compact But she remembered. There was the compact; to resist tyranny to the death. Their grievance weighed them down. They had been forced; they had been bidden (p. 165). Doing so, however, mandates her submission to Jamess dictates. James senses each time his sister longs to break the compact, and he dominates her with their silent conversation. James thinks, when he hears Mr. Ramsay ask Cam about the puppy, that now she will give way. I shall be left to fight the tyrant alone (p. 168). He recognizes that his ally is wavering and that The compact would be left to him to carry out. Cam would never resist tyranny to the death. Still he tries to overpower her hesitancy, as he silently demands of her that she Resist him. Fight him.


Jamess fear, as he sits in the boat, that his father would slap the covers of his book together, and say Whats happening now? What are we dawdling about here for, eh? arouses within him a memory of Mr. Ramsay who, when James was a child, brought his blade down among them on the terrace and she had gone stiff all over, and if there had been an axe handy, a knife, or anything with a sharp point he would have seized it and struck his father through the heart (p. 186). James remembers in this encounter that his father, the tyrant, was stabbing, while James was only imagining his potential to stab; thus, James associates the use of a knife with practicing tyranny and the inability to use a knife with impotency. When James was a child his father maintained control over the knife, while he was left impotent, ridiculous, sitting on the floor grasping a pair of scissors (p. 187). James loathes the days when he was powerless to utilize the knife, and he, while in the boat, now wants to stab-not his father himself-but his fathers tyranny. James, upon doing so, may at that point step into his new role as the next-generation tyrant who has shed his impotency and is now capable of using the knife he previously could only dream of controlling.


James as a child imagines stabbing his father, but Jamess memories in this third section recall his father doing the stabbing while the young James sat powerless to move. He envied his fathers power to use the knife, in part, because this power enabled Mr. Ramsay to maintain full control of Mrs. Ramsays attention. Mr. Ramsays stabbing capability often lured Mrs. Ramsay away from James. James was enraged that Mrs. Ramsay, when Mr. Ramsay brought his blade down among them on the terrace, goes to Mr. Ramsay so that he [James] felt she listened to him no longer, she had risen somehow and gone away and left him there (p. 187). James believed, during these childhood years, that if he imitated Mr. Ramsays behavior, if he seized a knife to strike with, then Mrs. Ramsay would remain with him rather than favoring her husband who controls the knife. Jamess envy of and hatred for his fathers ability to lure his mother away from James is usually discussed in Oedipal terms,[] but Jamess desire to demand and receive Mrs. Ramsays undivided and absolute attention also significantly affects Cam.


James exercises his newfound tyrannical tendencies in The Lighthouse by attempting to force Cam into the role he wanted his mother to play for him. James, through his silent communication, glances, and dedication to the compact, forces Cam onto his side and coerces her into fighting tyranny to the death with him, though her loyalty to the compact is precarious. In this sense, James summons Cam to replace Mrs. Ramsay as the one whose loyalty and physical presence he aims to fully possess. Moreover, James at one point actually looks at Cam and sees his mother. James, when Cam first breaks the compact by answering her fathers inquiry about who is taking care of the puppy, notes, disgustedly, that Shell give way (p. 168). James then looks at Cam, watched a look come upon her face, and connects Cams face, and her tendency to abandon him, with that of his mother [it was] a look he remembered. They look down, he thought, at their knitting or something. Then suddenly they look up. There was a flash of blue, he remembered, and then somebody sitting with him laughed, surrendered, and he was very angry. It must have been his mother (pp. 168-6). James associates Mrs. Ramsays abandonment of him with her surrendering to Mr. Ramsay, but Cam, he insists, must not leave him or surrender as did his mother. She must, James thinks, stay on his side at all times. James sees Cams loyalty to the compact wavering, but he insists that No, she wont give way, shes different [from his mother] (p. 16). Cam is different from his mother, James believes, in that she must not be torn between James and Mr. Ramsay, but rather, must relinquish her independence and give her full attention, loyalty, and love to only James. This time, James resolves, his father will be abandoned when he [James] might be quit of it all. They [James and Cam] might land somewhere; and be free then (p. 165). James demands from Cam the fidelity and absolute physical presence and attention he felt he did not get from his mother.


Cam, throughout the entire trip to the lighthouse, vacillates; between being loyal to James and wanting to break the compact. Though she continually reminds herself of the reasoning behind the compact, though James constantly bears down upon her, ironically commanding her to resist tyranny, Cam cannot deny her need to assent to her own beliefs rather than to subordinate herself to Jamess demands. Finally, Cam exercises her independent decisiveness as she decides (now sitting in the boat) he was not vain, nor a tyrant (p. 10, my emphasis). She looks at Mr. Ramsay in the boat in order to confirm her realization, Lest this should be wrong, and verifies that No; it was right. Cam refuses to let James command her instincts; she recognizes that James is trying to command her, but she will not yield to him. The tie between her and James sagged a little. It slackened a little (p. 165), she sees, and instead of blindly submitting to her brother, the tyrant, Cam takes it upon herself to try to make James adopt her opinion as his own. But look! she said, looking at him. Look at him now (p. 10, my emphasis). Cam feels that her father occasionally appears, during particularly specific instances, not to be a tyrant, and she uses her perception during these moments to further her cause of resisting the future of tyranny. Cam wants James to see Mr. Ramsay as she does at this precise moment, in his untyrannical state, reading the little book with his legs curled. She also points out to James that he was wrong in insisting that They must think that he [Mr. Ramsay] was perfectly indifferent, because, she silently conveys to him, His father had praised him. But youve got it now (p. 06.). James, throughout the last part of the novel, is obsessed with the idea that his father will at one moment rouse himself, shut his book, and say something sharp (p. 187). James waits for this criticism, anticipates it, and almost seems to look forward to it, because the moment Mr. Ramsay criticizes him is the moment that James finally gets to usurp control of the knife (pp. 18-84). But James, Cam points out to him, is wrong.[] Mr. Ramsay never criticizes him once throughout the entire trip even when the sail sagged entirely; there they came to a stop, flapping about waiting for a breeze, in the hot sun, miles from shore, miles from the Lighthouse (p. 18).


James struggles a great deal in this final section of the novel as he not only holds onto his mothers influence, but tries to impose a modified version of the role she played for him onto Cam. Cam, however, absolutely refuses to surrender herself to his silent demands. She will not sacrifice her independence so as to adopt a role in order to appease James, and in choosing to satisfy her needs rather than those of James, Cam revises the lesson Mrs. Ramsay imposed on her regarding the pigs skull. Mrs. Ramsay taught Cam that night to deny her needs, to stop quarreling and consequently relinquish her independence, and to act in a way that accommodates Jamess desires and dictates. In part , however, Cam refuses to enact this Angel role. She is freethinking with independent thoughts of her own. She will not give in to Jamess oppression. Rather, she conveys her opinions to him via their silent conversation and is thereby able to resist the future of tyranny embodied in James.


Cams verbal silence therefore proves to be quite powerful as she uses it to resist the future of tyranny. In doing so, she begins to negate the lessons Mrs. Ramsay taught James and takes the first step towards creating a world in which a modern woman may emerge. Elizabeth Abel states that studying the past, she [Cam] also learns to privilege it. By the time of The Lighthouse Cam is expert at gazing backward, at translating images of a shifting present into the framework of the past (p. 6). Cam spends the trip to the lighthouse gazing backward and grappling with the relation of her present to the experiences of the past, but she does so, I believe, as a necessary precondition to looking forward to a future which it was dazzling to contemplate (p. 0h).[4] Cam must consider the lessons Mrs. Ramsay taught James, the place of the island in history, her fathers anger about the compass, and her experiences in the study, for example, so as to begin to contemplate What then came next? Where were they going? (p. 18). The bow, therefore, becomes symbolic in linking past and present to future. Cams place in the bow of the boat, a place enabling her to most clearly look back at the island, is also the place providing the means whereby one may most easily and directly proceed forward onto the rock leading to the lighthouse. Mr. Ramsay rose and stood in the bow of the boat so as to spring, lightly like a young man, holding his parcel, on to the rock (p. 07). Cam rises to follow him, and is presumably the next, since she is already in the bow, to step onto the rock. The bow, then, enables Cam to grapple with her past and also connects her to the rock, thereby enabling her to take the next step into her future.


This future looks promising, for it consists of a world where Cam, the leader of a group of survivors, believes she is a being with extraordinary capacities for feeling everything here and now (p. 0h); demonstrates sharp perception allowing her to sense danger and react to it in a way that protects her independent embryonic, malleable thoughts; and proves herself capable of preventing the future of tyranny from being able to assert itself. Moreover, she will find upon returning to the island another modern woman who, like Cam, experiences moments of regression, but for the most part thinks that She had escaped by the skin of her teeth (p. 176). This modern woman, like Cam, believes that Mrs. Ramsay has faded and gone. We can over-ride her wishes, improve away her limited, old-fashioned ideas. She recedes further and further from us. Life has changed completely. At that all her being, even her beauty, became for a moment dusty and out of date (pp. 174-75). Perhaps most importantly, Lily, upon nicking the catch of her paint box, finds that the nick seemed to surround in a circle forever ... that wild villain, Cam, dashing past (p. 54). Cams modern woman traits, then, in some everlasting sense, are thus forever preserved by Lily in a timeless circle.


Towards the end of the original version of the novel, Cam, upon reflecting on the moments when she might be blind with rage and experiences the agony, the suffocation, of his tyranny, smiles as she did when sometimes she imagined herself like her mother (p. 56h). The holograph version reveals that Woolf scratched a bold line though these lines in which Cam blatantly identifies with her mother. It is as if the idea of Cam imagining herself as her mother, even in a brief moment of regression, were too painful, too extreme, for Woolf to envision, and so the thought, the words, were eliminated as if putting them there had been a mistake. Cams journey to the lighthouse is difficult as she struggles with the influence Mrs. Ramsays lessons have clearly had on her sense and perception of her identity, but Woolf could not take her fictitious counterpart to the point of blatantly identifying herself with her mother. Woolf chose, rather, that Cam struggle with her mothers influence, but also experience vivid moments of triumph and certainly much promise as she develops her sense and perception of herself as a modern woman, as one who has rejected and refused to enact the role of the Angel in the House.


Cam, therefore, offers a striking alternative to her mother in that she refuses to enact the Angel role whereas Mrs. Ramsay embraces it. Cam, unlike Mrs. Ramsay who promotes the Angel and the future of tyranny, takes it upon herself to resist and prevent them from asserting themselves. Perhaps most importantly, whereas Mrs. Ramsay relinquished her independence and was therefore forced into a position where she could only envision her potential as a modern woman, Cam demonstrates she is capable of actualizing her potential as a modern woman and emerges as an independent, free-thinking, free-speaking, ambitious individual. In doing so, she offers a wonderfully rich rendition of the modern woman as one who merits attention because of the promise and strength of her indepen





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What did Moore mean by the "Naturalistic Fallacy"? What is "naturalistic" about it? Is it really a fallacy? Has either G J Warnock or Philippa Foot succeeded in establishing the legitimacy of ethical naturalism?

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If I am asked, What is good? my answer is that good is good and that is the end of the matter. Or if Im asked, How is good to be defined? my answer is that it cannot be defined, and that is all I have to say about it.


G.E. Moore, Principia Ethica


Indeed it does appear that this is all Moore has to say about it. The absence of any acceptable proof that his position is more tenable than that of the ethical naturalists or metaphysicians makes it necessary for him to make this point so forcibly. The quotation above is the meta-ethical equivalent of the maxim of Bishop Butlers on the title page of Principia Ethica, Everything is what it is, and not another thing.; We are here concerned with meta-ethics, that is, the meaning of ethical terms, rather than with ethics proper which, as that branch of philosophy which deals with human behaviour, might be described as the practical application of philosophical ideas. It was only within the field of meta-ethics that G.E.Moore was at all influential. His ethical comments to the effect that since no one can know for sure what is good, it is probably wisest to keep to the moral conventions of the society one happens to live in, rather than to rely on ones individual intuition which one has no means of testing, were obviously of little help or interest to the moral philosopher or even an interested outsider who was truly concerned with the question of good actions and right behaviour. It is interesting that Moore objected to naturalism on the grounds that it offered no real reason, or even any reason at all, for any ethical principle and was nevertheless the cause of people accepting unsound principles. Yet G. J. Warnock pointed out in Contemporary Moral Philosophy that Moore on questions of what is good? claimed that reason had no place in the answer, while on questions of what is right? merely defined right as that which leads to the greatest good, near utilitarian consideration of the consequences of particular actions. Moore expended much of his energy in refuting what he described as the naturalistic fallacy so perhaps we should not expect too much from him. He did at least open the way for his successors to show how non-naturalism, or intuitionism as it came to be regarded, applied to the study of ethics.


Moore holds as the basis of his theory that good is a simple notion like yellow which is indefinable, rather than a complex notion like horse which has many different characteristics which can be enumerated. Good is thus one of the ultimate terms of reference used in defining anything and so the question What do you mean when you say that something is good? is among the unintelligible questions which often confront philosophers. Since the most usual type of truth is one which asserts a relation between two existing things, many philosophers assume that ethical truths conform to this pattern although, Moore asserts, they quite obviously do not.


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This misconception is the basis of the naturalistic fallacy. In the fallacy, good is defined either by reference to a natural object (hence Ethical Naturalism, as Bentham and Mill) or to an object only inferred to exist in a suppressible real world (hence Metaphysical Ethics, as in Socrates and Bradley). It is an attempt to overcome the gulf between the is (that is, a statement of empirical fact) and the ought (or ethical conclusion) . The fallacy can be said to occur at three separate points firstly, in defining a non-natural property like goodness in terms of a natural one; secondly, in defining one property in terns of another with which it is not identical and thirdly, in attempting to define the indefinable. It is the essence of Moores position that an ethical sentence cannot be reduced to a non-ethical one, whether empirical theological, mathematical or any other. In other terms description and evaluation are only different but quite independent activities, the relationship between them being based on standards which are not universal.


Having established his opinion that good is a simple, indefinable notion, Moore goes on to examine and criticise the alternatives. He sees two alternatives, either that good is a complex notion capable of analysis or it is meaningless. He refutes the first alternative by the open question theory, that is, by stating that to ask a further question is that good? of any property found to be part of the notion good is not tautologous but a valuable extension of the argument. He refutes the other less surely, by saying that everyone understands what is meant by good in some vague sense although the notion of a good may be confused with other properties. Moores ideas on the relation of other properties associated with and maybe always and only present with good is made very clear by this qualogy from Hospers Human Conduct.


Even if all equilateral triangles are equiangular and all equiangular triangles are equilateral it does not follow that equilateral means the same as equiangular for the first word refers to a property of the sides and the second to a property of the angles. So Moore believed that although all good things might be pleasant or useful or highly evolved this did not mean that good means pleasant or useful or could be defined as that which is highly evolved.


Moore himself does not insist on the term naturalistic fallacy in Principia Ethica, and in fact practically states that it is to be understood as he defines it for the purposes of the argument. His reason for qualifying the fallacy as naturalistic is that he sees it as a confusion of a non-natural object, good, with a natural object such as pleasure. However, he gives no reasons for describing good as a non-natural object and in fact, even if it were natural, the proposition would still be a fallacy although the word naturalistic would be less appropriate. Moore does not clearly differentiate natural and non-natural . Natural in this sense does not only mean the sensible world but also the supersensible reality involved in Metaphysical Ethics. Non-natural is given a suggested meaning in Moores A Reply to My Critics - a non-natural property is one which cannot be discerned by the senses. Naturalistic fallacy may be an obscure, misleading and inappropriate term in some ways and Warnock shows in Contemporary Moral Philosophy that from one angle naturalism and non-naturalism could be considered compatible, but generally speaking if Moores definition is sufficiently clear it would be futile to argue over terminology.


Is the naturalistic fallacy really a fallacy? Moores arguments are frequently inadequate. His use of the word definition when he describes good as indefinable is eccentric, since he dismisses the common consensus method of definition and almost equates it with analysis of characteristics. Moores basic procedure is open to question, since to establish that good is indefinable he uses the analogy of the simple notion. yellow and the complex notion horse. Analogy does not alone make for good argument however plausible it seems. After this, he attempts actual proof but by means of a dilemma, arguing against the alternatives he cites to leave his theory standing alone. These are not good arguments and added to the question begging formulation of the fallacy itself seem to show that even Moore could not prove his theory. The ideas of G J Warnock and Philippa Foot will be given below but Frankenas formulation reveals the inconclusive nature of Moores arguments . According to Frankena, there are three points at which a fallacy could be said to falsify the naturalist view but at none of these does Moore offer any proof; he simply begs the question. The first point comes when a non-natural property like goodness is defined in terms of a natural one, but Moore simply states that goodness i6 a non-natural property. The second point is when one property is defined in terms of another, but he does not show that goodness is indisputably some other thing from each particular property with which it could be equated. The third is in attempting to define the indefinable, but again he does not prove that goodness is a simple and therefore indefinable property; merely asserting it to be so. The most obvious begging of the question is in the open question theory. Moores argument is that good cannot be complex because it is still significant to ask is this property of good good? but this begs the question for it already assumes that goodness is simple and unanalysable. If good were allowed to be a complex notion, then it would make sense to inquire whether that into which one had analysed it was good. Indeed this might be way of testing the analysis. Moore assumes that there must only be one notion before the mind in considering good, but it is just as much of a fallacy to assume there are two se properties, such as good and pleasure, when there is only one as to assume the opposite. Moores arguments are thus shown to be unprovable even illogical at times. If the naturalistic fallacy is to be accepted as a fallacy it must be on other arguments. The position is perhaps not one which involves a fallacy at all, merely some defect in the moral vision of either non-naturalists or naturalists whereby naturalists fail to discern the separate ethical entities which intuitionists believe are discernible or non-naturalists suffer from double vision in seeing good or any other ethical concept as distinct from other, natural properties.


Of the chapter on Naturalism in Contemporary Moral Philosophy G. J. Warnock says I shall not see to show that naturalism is true for that purposes it is not clear enough what naturalism is supposed to be. Although fairly violent in his attack on intuitionism. Warnock treats the idea of a naturalistic fallacy with more consideration. However, although he admits that it is probably true that in general no particular description logically leads to any particular evaluation, he does not think this revelation of very great importance for moral philosophy. He suggests that there are certain standards, not specified, which may not have to be accepted at all, but which do have to be accepted if moral evaluation is to be made. He therefore concludes that it is possible to be a naturalist in ethics and non-naturalist or anti-naturalist in the general theory of evaluation so the terms as they stand are misleading. The difficulty of transferring non-naturalist meta-ethics into a working moral code without accepting certain facts or features as criteria for judgement is quite outstanding, so that intuitionists have frequently fallen back on the so-called repository of human wisdom in prevailing moral attitudes. However, Warnock does not even suggest what these criteria might be so his theory is only a background against which other naturalist theories can stand up.


Philippa Foot in Moral Beliefs sets out from the start to convert the sceptics This paper is an attempt to persuade them to look critically at the premises on which their argument is based. This is indeed the procedure she uses - to extract the assumptions of the non-naturalists and examine them critically. In her view the distinction between statements of fact and evaluation is based on two assumptions, firstly, that any individual may, properly, base his beliefs about matters of value on premises which no-one else would recognise as valid at all; secondly, he may refuse to accept anothers evaluation because their standards are not ones be accepts. The first assumption is refuted by an appeal to the basic idea that words, while they may not have an intrinsic meaning, do have a proper use, and that evaluative terms like good bad, value, etceteras have a proper use in a generalised sense without a particular background being necessary to explain their use in the context. Foot makes this clearer by reference to the use of words like proud and dangerous, then goes on to say that- It is surely clear that moral virtues must be connected with human good or harm, and that it is quite impossible to call anything you like good or harm;. Against the second assumption, Foot puts forward the tentative idea that moral question can be argued down to a point which reveals an ultimate end beyond which it is ridiculous to inquire, as it does not make sense to ask Why do you hate pain? or Why do you want to feel happy? Concentrating on the harmful or beneficial consequences of actions for the individual, however, Foot finds it difficult to explain the moral virtue of such concepts as justice although later, as in the Introduction to Theories of Ethics she sees the relevance of the consequences of actions for the community or the general good. Both these refutations seem to me to be well founded, although again the concern is primarily with ethics and not meta-ethics, with use rather than meaning.


There would certainly seem to be a dichotomy between non-naturalism as dealing with meta-ethics and naturalism as dealing with ethics. Both are definitely on shaky ground in the opponents field. I have not considered the arguments of the non-cognitivists or emotivises that good and related concepts have no meaning but are merely expressions of feelings or attitudes in the individual or society. This may indeed have the Bergsonian advantage of dismissing the whole thing (i.e. meta-ethics) in one fell swoop by denying it. However, naturalism still seems to hold the advantages as far as action guiding or the formulation of a moral code is concerned. In major problem, as Hospers puts it is to find a naturalist theory which is in the least degree plausible. The most plausible theory I have come across is Ralph Barton Perrys theory that the end of all action should be the maximum possible fulfilment or pro-interests of everyone concerned which is almost an amalgam of Utilitarianism in society and self-realisation in the individual. This is the least limiting definition of goodness or right action covering wide areas of human experience. To enthuse, and quote with a few basic definitions, the whole field of; human values including ethics, are organised in such a way that every item now springs into place a frustratingly complex area of inquiry has become simplified and clarified. It achieves unity and gives a naturalist theory in one brilliant stroke..


John Hospers, Human Conduct


G. E. Moore Principia Ethica


Mary Warnock Ethics Since 100


John Hospers Human Conduct


G. J. Warnock Contemporary Moral Philosophy


Philippa Foot Introduction to Theories of Ethics


Philippa Foot Moral Beliefs in Theories of Ethics


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Friday, April 20, 2012

Fortitude: An Old Man's Strength

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Fortitude


An Old Mans Strength


Fortitude means, according to the New World Dictionary, the strength to bear misfortune, pain, etc. calmly and patiently; firm courage. In The Old Man and the Sea by Ernest Hemingway, Santiago, the old man, shows that he had physical and mental fortitude. A few examples of physical fortitude are that the old man never let go of the fishing line and the characteristics of the old mans body. Two examples of mental fortitude are Santiagos positive attitude in the face of bad times, and his endurance.


To further explain the example of how Santiagos physical fortitude is how he never let go of the line, here are a few quotes. He had no feeling of his left hand, but he braked all he could with his right and the line rush out. This asseverated that he did have a lot of physical fortitude in the instance that he used all of his strength to hold onto the line. Another quote is “The boy saw that the old man was breathing and then he saw the old man’s hands and he started to cry.” The quote stated that the old man endured a lot of pain those few days.


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The example of physical of physical fortitude contends how the old man’s body had endured many years of pain. “The old man was thin and gaunt with deep wrinkles in the back of his neck.” This citation portrays that Santiago had not had an easy life, this showed in the deep wrinkles in his neck and how he looked gaunt. “The benevolent skin cancer the sun brings from its reflection on the tropic sea were on his cheeks,” is a way of saying that he had a harsh life on the sea with sun and the abrasive wind that gave him the skin cancer.The quote, “He always thought of the sea as la mar which is what people call her when they love her . . .” shows that he usually had a positive and altruistic attitude about his life on the ever-changing sea which describes his mental fortitude. The novella described that he loved everything and that, no matter what, he never gave up. “He was an old man who fished alone in a skiff on the Gulf Stream and he had gone eighty-four days without taking a fish.” This said that Santiago had mental endurance whereas most people would have given up and gone home. The old man held onto the fishing line for three days and nights so that he could bring the big marlin home, but even after all of the pain he suffered, he only brought home the blighting of it.


In conclusion, all of these reasons and examples tell that in The Old Man and the Sea by Ernest Hemingway, Santiago, the old man, had physical and mental fortitude. The fact that he never gave up and had always had a positive attitude are ways of describing his mental fortitude. The description of the old man’s body and his hands are tell-tale signs of Santiago’s physical fortitude





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pour l'empereur

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ZIMBABWE


State of the Southern Africa, bordered in the North-West by Zambia, the west by Botswana, the south by South Africa, in the east and the North-East by Mozambique. This wedged territory, called Rhodesia during British colonization, counts aujourd?hui 11 d?habitants million, of which two thirds live in rural zone. Upset by revolts of peasants without ground since his independence in 180, Zimbabwe is a country torn between its populations white and noire.


Geography.


The natural framework.


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Relief. Does the territory have as a principal axis the reliefs of Great Dyke (?le great seam?) located on the high plateaus (High Veld), of Pre-Cambrian era, which cross it in scarf of south-west to the North-East on more than 500 km. The climax (Inyangani mount, 55 m) rises in the east, close to Mozambique. Located entirely in altitude, the country is made of steppes (in the Western areas near the desert of Kalahari) and especially of savannas.


Climate. Located in tropical area, Zimbabwe has a climate moderated by l?altitude in the areas of the high plateaus. The rain season lasts d?octobre at March but the country knows periodic drynesses, such those of 11 and 1, very vermin for the cultures and the breeding.


Seas and rivers. The courses of the Zambezi, in the North-West, and of Limpopo, in the south, respectively mark the borders with Zambia and South Africa These rivers are thrown in l?oc�an Indien when they reach the coasts of Mozambique. Indeed, Zimbabwe does not lay out d?accès direct with the sea.


Sites and natural environments. Zimbabwe shelters the famous Victoria falls, located at the North-West of the country, the border with Zambia, and lays out d?un hydroelectric dam on the lake of reserve of Kariba which ensures l?essentiel of the electric production of the country. Located at the south-east of the country, the archeological site of Zimbabwe was inhabited as of stone l?âge and constitutes a tourist place under development. Population and organization of space. The population is distributed between two principal groups Shonas, d?origine bantoue, which constitutes essence of it, and Nd�b�l�s, which belong to the zouloue family. Old colony of British settlement, the country counts also a white minority (80 000 people approximately, against 75 000en 175), town frameworks or great landowners in High Veld. Because of the segregation which was abolished only with independence, the mongrels are still very few among the 11 d?habitants million which the country counts. The demographic growth, a long time very strong (, % per annum until 1), is today about %. It feeds a strong rural migration since the end of 170, date on which the law which prohibited with the Blacks to be owners downtown was raised. The urban population is thus still relatively very few (approximately % of the total population). Harare, capital political and economic, in the past called Salisbury, gathers approximately million inhabitants with l?ensemble of his agglomeration and precedes the town of Bulawayo which counts approximately 700 000 inhabitants.


Economy. General characteristics. Standard of living. The policy of practised racial segregation jusqu?à l?accession with the capacity of the nationalists maintained the inequalities between Noirs and White. Aujourd?hui still, the majority of the black population which lives in the great agglomerations lives in unhealthy shantytowns. The medical state of the population is particularly alarming. The virus of the AIDS touches 0 % of the inhabitants and l?esp�rance of life n?est that 44 years. Moreover, 40 % of the working population was with unemployment in 18. Economic indicators. Zimbabwe, second world exporter of tobacco (with 15 000 tons in 17), belonged to the Common Market of l?Afric southern and Eastern (COMESA) and maintain the relations privileged with the countries of this zone. These regional bonds compensate l?inconv�nient major which l?absence d?accès with the sea for the development of the trade constitutes, the port nearest, Biera (in Mozambique), being located on the coast of l?oc�an Indien, to 600 km of the capital. L?existence d?un vast network of railways allowed d?am�liorer the d?�change means with the countries close, in particular l?Afric to the South, which belongs to the privileged trade partners of Zimbabwe. Supported by the International Monetary International Monetary Funds (the IMF), Zimbabwe still posted, in 1, a budget deficit of 168 million dollars. Lastly, l?agriculture, which represents 0 more % of the GDP, crosses a crisis which weakens l?ensemble l?economy. An agriculture at two speeds. The agricultural sector employs 55 % of the working population. It gathers, d?une share, of many black small holders devoting itself to not very intensive food crops (corn, millet, sorghum) on poor and badly irrigated grounds, and, d?autre share, four thousand farmers white who occupy of great modern fields. The latter are delivered to the culture of the cane with sugar, citrus fruits, l?arachide, the tobacco, soya, cereals, the coffee and the tea. The producers of tobacco, who carry out 5 % of exports of the country, underwent into 18 the consequences of the Asian crisis and the fall of the courses. The bovine breeding also constitutes one of the great activities of the pays(avec 5,4 million heads), but remains essentially with the hands of the White. The land problem is thus acute in Zimbabwe where tens of thousands of families are without ground. In October 17, president Mugabe decided to nationalize 4,5 million hectares exploited by 1 500 white farmers but this outline of land reform does not seem to satisfy anybody. Moreover, the rise in the price of the basic food product, cornstarch, started in January 18 of violent riots in all the cities of the country.


Mining richnesses development. The essence of the national richness is brought by the exploitation of the raw materials mineral, the country has, in great abundance, in the area of Great Dyke. One finds gold there, l?argent, of antimony, iron, cobalt, nickel, chromium or of coal with open sky. Large investments were carried out, with the assistance of South Africa, in platinum mines, which should make country one of the first world producers in the next years. The other industrial sectors knew a rapid development, financed mainly by the incomes of exports and the foreign investments, in particular South-African. The productions are varied and relate to especially the agroalimentary one, chemistry (manure), the textile (cotton) and mechanics (automobile assembly, farm equipment) but they are concentrated essentially in the large cities of the country. Political and social life. Political institutions. Zimbabwe is directed by Robert Mugabe who cumulates the functions of president of the Republic and Prime Minister. In 10, party of the president, the Zanu-PF (Zimbabwe African National Union-Patriotic Face), gives up its statute of single party. If one counts aujourd?hui about fifteen parties d?oppositions, the political life remains dominated by the party with the capacity. Moreover, l?abstention of the voters does not make qu?augmenter since the years 180. Defense and armed forces. L?arm�e, strong of 40 000 men approximately, sent the quarter of its manpower in democratic Republic of Congo, to support there the mode of Laurent-Desired president Kabila. The public expenditure, in this sector, represents 5 % of gross domestic product. Education. The rate of schooling is relatively high in Zimbabwe, compared to the other sub-Saharan countries. Indeed, the relationship between the d?�lèves number provided education for having l?âge legal (7-14 years) and slices it d?âge corresponding (rate Net of schooling) is 8 %. Its education system, in which l?�cole primary education is free and obligatory, appears relatively powerful since about two thirds of the pupils obtain the final diploma. Moreover, the rate d?alphabetisation of the adults is 87, % in 000.Histoire. Origins. Inhabited as of prehistory, Zimbabwe, whose name means?tombeau heads?, is populated with the Neolithic era of Bochimans, pushed back little by little towards the desert, at the beginning of the Christian era, by farmers of origin bantou. The country sees developing starting from IVe century a brilliant civilization, whose testify the imposing ruins strengthened to Zimbabwe. This site, in the south-east of the country, knows its apogee in XIVe and XVe centuries, time to which is built a monumental temple. Its inhabitants, who probably belong to the ethnos group of Mashonas, come then into contact with Arab and Chinese tradesmen by the intermediary of the port of Sofala (aujourd?hui Beira, in Mozambique), on the Indian Ocean. The multiple objects come from Perse, the Indies and China which were discovered on this site testify to these exchanges. The country is conquered about 1450 by of Bantous which melts the kingdom of Monomotapa. This one extends, about 1480, on almost the totality of Africa of South-east to the Zambezi but, since 140, it is tiny room to only Zimbabwe and a small part of Mozambique, all the south of the territory passing to a former revolted governor, who takes the title of changamire. The Portuguese, who are established on the coasts starting from XVIe century, seek to control Monomotapa and push the sovereigns to sign, at the XVIIe century, a treaty recognizing with the colonists the monopoly of the exploitation of the mines. Subjected to various pressures on behalf of close people, Zimbabwe manages with difficulty to preserve l?unity of its territory. Thus, about 180, of the zoulous groups come from the South, Nd�b�l�s (or Matab�l�s), settles in Bulawayo under the control of the Mzilikazi head. They then subject the populations shonas installed between Limpopo and the Zambezi.


Colonization. Accompanying the great movement by Western colonization which starts in Africa in the middle of the XIXe century, of British missionnaires settle as of the years 1860 at Nd�b�l�s. In the years 1870, British South Africa Company (BSCA), founded by Cecil Rhodos, establishes bonds with the populations bantoues installed in the north of the river Limpopo, Matab�l�s and Mashonas. It thus wishes to prevent the Portuguese d?�tendre their empire colonial on the territories ranging between Mozambique and Angola and to adapt the gold resources of the territory. In 1888, it obtains, by the trick, a patent of mining mining claims, three years after the conference of Berlin had recognized the British authority on the area. Since 188, the territory is officially placed under the administration of the BSCA by a royal charter signed by the Victoria queen. However, colonization becomes effective only at the end of the XIXe century, at the end of several years of fight against the local populations. The country takes the name of Rhodesia then, in 185, in reference to the patronym of Cecil Rhodos. From the very start of the XXe century, the softness of the climate, the fertility of the grounds and the facilities of communication offered by the construction of a railway, energy of the falls Victoria jusqu?à the South-African coast, are d?�l�ments as much which attract the colonists, mainly d?origine British. Mining and plantation, cattle-rearing area large (corn, tobacco) significant (copper, gold), Rhodesia refuses in 1 its integration with the South African Union, fearing the dilution of its British identity within d?une entity dominated by Boers. It becomes the following year, during the expiry of the concession granted to the BSCA, a colony of the British Crown, under the name of Rhodesia-of-South (in opposition to Rhodesia-of-North, current Zambia). Without adhering officially to apartheid, the white colonists institute a system of separate development gradually. With Land Apportionment Act of 10, law on the ground division, they hold to the white agricultural owners 45 % of the surface of the country. Moreover, they park the black population in distinct zones and force them to rent their labour force to the colonists. In 15, the Rhodesia-of-South s?associe, within d?une federation, with Rhodesia-of-North and Nyasaland but is only found, in 164, when these two States, reaching l?ind�pendance, become respectively Zambia and Malawi. In 165, the Prime Minister, Ian Smith, leader of Rhodesian Face (Face rhod�sien), majority movement in the white population, proclaims the independence of Rhodesia unilaterally. Great Britain, like the international community, refuses to recognize this State because of the policy of racial segregation imposed by the government. An embargo is imposed by l?ONU while the white capacity, which proclaims the Republic in 170, must face the rise of the nationalist movements. The latter are divided since the ZAPU (Zimbabwe African People S Union, Union of the African people of Zimbabwe), founded in 157, divides, on ethniques criteria, in two competitor movements. While Robert Mugabe, Shona, creates the ZANU (Zimbabwe African National Union, African national Union of Zimbabwe), the control of the ZAPU returns in Nd�b�l�, Joshua Nkomo. After several years of guerrilla and confrontations between nationalist militants, the dispute, supported by certain close African States, becomes extensive such as the white government calls a conference with Lusaka, in Zambia (174), and proceeds in 17 to elections which organize the first transfers of sovereignty to the profit of the Blacks. The following year, of new elections give a clear majority to the nationalist leaders who proclaim the independence of the country, named then Zimbabwe in remembering l?ancian kingdom of Zimbabwe. Mugabe with the capacity. Quickly confronted with a resumption of the guerrilla Nd�b�l�, Robert Mugabe, Prime Minister since independence, become head of the State in 187, an agreement with the ZANU, which amalgamates with the ZAPU, in 188 negotiates. Joshua Nkomo, appointed vice-president of the party resulting from this fusion, becomes vice-president of the Republic in 10, the year even or Robert Mugabe is re-elected president. Of inspiration Marxist in the beginning, the mode is directed little by little towards the market economy, fascinating act owing to the fact that the white, strong minority of approximately 100 000 people (that is to say nearly 1 % of the population), concentrates the majority of the richnesses of the country, including 70 % of the arable lands. Re-elected president in 16, Robert Mugabe, who did not cease making modify the Constitution to increase his capacities, must face a significant dispute of the black population, radicalized by the weight of the inequalities and the economic difficulties, then even qu?il engages in an expensive policy of support armed for the mode with Laurent-Desired Kabila in Congo-Kinshasa. Since 18, to calm popular vindication (?�meutes of the hunger?), it puts in?uvre a land reform by expropriant white farmers without compensation and by redistributing the grounds for the black peasants. Since 000, a movement encouraged by the capacity which adopts accents populists, resulted in the occupation of many farms belonging to the white population, sometimes confiscated by ex-serviceman of the?guerre of release? years 170. This demagogic policy allowed the party of the president, the Zanu-PF (Patriotic Front), to gain the legislative elections of June 000, under conditions criticized by the international observers, whereas the victory of the Movement for the democratic change (MDC) of Morgan Tsvangirai appeared probable. The continuation of the land reform, currently being studied, resulted right now in transfers of property obtained by the force to the detriment of the white minority. In February 00, Morgan Tsvangirai is accused of plot. One month later, Robert Mugabe is once more elected president of the Republic. In March, the Commonwealth excludes Zimbabwe for one year.


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Thursday, April 19, 2012

The jury

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The jural said then “Come what may, let justice be done!”. Everybody turned towards the prisoner and listened to his story. He hesitated at first then encouraged by his friends he started telling his story like it happened a few minutes ago


“I was coming home from college, and I was very glad that I had some good news for my mother; the first good news in years since my father died; I got accepted into MIT. She had always dreamt about this; it was really her dream more than mine. I was very excited to tell her the news, so I did not notice my uncle, my mother’s brother leaving the house in a black van.


When I arrived home the door was unlocked, a very strange thing because my mother always locks the door. I noticed that the lock was forced so I proceeded carefully, not knowing what to expect.


I was right to suspect something. The maid, Mary was knocked out cold. And I began to worry about my mother. Poor spot was lying on the floor dead. The bastards poisoned the dog. His loyalty towards us cost him his life.


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My grieve began to grow as I entered the living room where blood stained the white courtains. I rushed towards the bedroom and I saw my mother lying on the bed, stabbed in the chest. It was horrible. I tried to save her but there was nothing I could do. Just that moment the police entered the room and saw me beside my mother. So naturally they thought I was the killer although I am not.


I hope that justice will be done today and that this jury will set me free to mourn my mother’s death as I should.”


He stepped down the witnesses box and waiting for the verdict.





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Black Business Owners on The Rise

We are ready to represent the best custom paper writing assistance that can cope with any task like Black Business Owners on The Rise even at the eleventh hour. The matter is that we posses the greatest base of expert writers. Our staff of freelance writers includes approximately 300 experienced writers are at your disposal all year round. They are striving to provide the best ever services to the most desperate students that have already lost the hope for academic success. We offer the range of the most widely required, however, not recommended for college use papers. It is advisable to use our examples like Black Business Owners on The Rise in learning at public-education level. Get prepared and be smart with our best essay samples cheap and fast! Get in touch and we will write excellent custom coursework or essay especially for you.



This paper will tell that black buisness owners is on the raise in our economy and in our


community.And owning a black buisness has advantages an many disadvantages. Getting


loans to start up your buisness is stressing, and can get you in the mind that I am not going


to succide. To tell the others of owning your own buisness has its own freedoms.


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Owning your own business for African American people Black People. Can be extremely


hard to start from the experiences of several family members. My family members told me that


when they had the idea. And decided to go looking to make that dream come true but what


held them back is banks say no when they go looking for loans start up loans they say. They


kept pursuing and eventualy they found a bank that would. Give them the money they needed


to start up their buisness and to buy equipment and other buisness material. They say the only


reason they got a loan is Because they never stopped trying.


I myself have seen the advantages of black ownership in my family. A few of my family


members own their own buisness our buisnesses. My grandmother owns a buisness in which


she sales products over the internet and customers order online and we ship the products


out to them. She also own a home based buisness where she sells self defense products like


pepper spray , mase,stun guns etc. She also have things going on the side she does a program


named Pre-Paid Legal Services. The advantages to her buisness she says is that she wont


have to worry about is money problems. Working for white people and clocking in 40 or more


hours a week last but not least working with white people.


We have all seen commericals about FuBu with all these famous black stars advertising the products.The headline in Ebony says Young Blacks Score with For Us By Us.The owners and makers


of FuBu are four young black men Damon John , John Perrin , Carl Brown , and J. Alexander theyre


year old brothers . FuBu are almost over throwing Hilfiger and Ralph Lauren . These young black


buisness owners have grossed a $ 50 million dollar fashion empire .


I have alot of feelings on this topic because I myself want to become a future muti - millionaire and


buisness man . Achieveing my first millions as a NFL player and useing my salary as my own start up


loans . Useing my money to open up several stores such as Donna Sacs , Max Greens , Foot Locker ,


Mrs. Fields , Barber Shops etc . Owning your own buisness has alot of freedom you wont be working


for any body and you will be your own boss . I say it also has alot of respondsibilty for one person to


deal with but I know I could deal with as a aldult -.





In conclusion we as black should consider working for are self instead of putting 40 hours and more


a week at a job we dread to go too. Its alot of freedom , no to tell you if your late and you pick the workers


that you have in your buisness . Consider the thought of being finacialy set with out worrying about how


you are going to pay car note , mortage , liveing expenses etc . My uncle says the the greatest thing besides the money is the thought of saying something is yours .





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Wednesday, April 18, 2012

Reconstruction of the South After The Civil War

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In the South, during this period of time many people suffered from the great amount of property damage done to such things as farms, factories, railroads and several other things that citizens depended on to keep their economy strong. Some of these economic hardships included destruction of the credit system and worthless Confederate money. Though statistics in the South were vague the historian E.B. Long, a careful student of war strengths suggests “perhaps 750,000 individuals would be reasonably a close” as an estimate of Southern enrollments in the armies and navy.


In the South Reconstruction meant rebuilding the economy, establishing


new state and local governments and establishing a new social structure between whites and blacks. During the war Lincoln had expanded his presidency. With his power he hoped to set up loyal governments in the Southern states that were under Union control. Lincoln appointed new temporary governors and instructed each to call a convention to create a new state government as soon as a group of the states citizen totaling 10 percent of the voters in the 1860 presidential election had signed oaths of loyalty to the Union. Under this plan new governments were formed in Louisiana, Tennessee and Arkansas but the Congress refused to recognize them. Republicans in Congress did not want a quick restoration, for the reason that it would bring Democratic representatives and senators to Washington, and in 1864 Congress passed the Wade-Davis Reconstruction Bill. This bill would have delayed the process of rejoining the Union until 50 percent of the people took an oath of loyalty but Lincoln pocket vetoed the bill. Abraham Lincoln was assassinated just as the South surrendered in April 1865, and then Andrew Johnson inherited the problem of Reconstruction.


Johnson was a southern democrat who believed in the union, however, he did not believe in black equality. Johnson believed that the planter class in the south had led their section of the country to ruin. As far as blacks were concerned, they were an inferior race to be held in some sort of subjugation to the dominant white population of the south. His attitude ran into a head on collision with that of the radical republicans in congress led by Thaddeus Stevens.


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President Johnson tried to enforce Lincolns Ten Percent Plan. That as soon as ten percent of the population of any southern state took an oath of loyalty to the union and adopted a constitution that abolished slavery they would be readmitted to the union. The radical republicans in congress totally disagreed with Johnson. Many of the southern states in 1865 under presidential reconstruction adopted what was known as black codes. These codes restricted blacks from any participation in the rights of citizenship. Blacks were confined to an inferior position, they were not legally slaves anymore, but they had no rights of citizenship.


During the summer of 1865, Johnson proceeded in carrying out Lincolns Reconstruction plan, with only minor changes. These modifications included, appointing a governor for each state that had seceeded and restoring political rights to a majority of southern citizens through pardons. Conventions were held in each of the former Confederate states to repeal the ordinances of secession, discuss the war debt, and draw up new state constitutions. In time, the citizens of each state were able to elect their own governor and state legislature. When the


legislature of state ratified the thirteenth amendment, which stated No slavery or involuntary servitude except for punishment, the new sate government would then be recognized and the state would then be admitted back into the Union.


The process, with only a few exceptions, had almost been completed at the end of 1865. However, the states that had seceded were not yet completely as they had been before the war, because Congress still refused to seat their Senators and Representatives.


It was inevitable that blacks would stay at the bottom of southern society. Just because they were free didnt mean that their lives experienced a complete turnaround. The fact that they had no base on which to start their new lives made it even harder.


There was much political, economic, and social reforms introduced in the South between 1864 and 1877. After 1877, many of the changes stayed with the exception of Civil Rights. In 1865, the Freedmen’s Bureau was introduced in Congress. It was formed because the government realized that it could not longer meet the needs of Southerners.





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