'One Art'

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Everybody loses. It is in human nature to be forgetful, to misplace things, to lack the responsibility to keep everything straight. In the poem “One Art”, Elizabeth Bishop illustrates that prioritizing is key to maintain hold of the things that truly important and let go of the things that are not.

Initially, Bishop discusses the loss of small items keys, names and places. She urges us to “accept the fluster... the hour badly spent”, and get on with life. As the poem continues, however, the items grow progressively larger in size. In tercet five, Bishop uses hyperbole to exaggerate this growth and make it impossible to miss. She has slowly led us farther and farther, moving so sneakily from keys to houses to cities, it is hardly noticeable at first. When we reach the fifth tercet, it is a surprise to hear of the “realms,... two rivers, [and] a continent” that she has misplaced. Bishop utilizes this technique in order to emphasize the difference between losing small items, and mislaying people.

Although rapidly changing size and context, Bishop keeps the poem unified using repetition. The words “master” and “disaster” are used many times throughout, as line or tercet-ending words. In keeping with this, other ‘er’ ending words are used to supplement the rhyme scheme. Also repeated are the ‘ent’ words, used on the inner line of the tercet. This use of repetition creates a common thread through the poem and helps us to see the similarities between the small or large objects.

When we reach the last quatrain, a shift has occurred because the poem is no longer talking about losing objects, but rather, people. “Even losing… a gesture [she] love[s]”, Bishop remains casual in tone. She maintains that “the art of losing’s not hard to master though it may look like… disaster.” These last lines are ironic because it is silly to be talking as indifferently of people as of keys. Bishop uses this irony to show that while losing might now be hard to master, it is the keeping which is the real art.






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