Stolen Essay By jane Harrison

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Later, when Ruby is lucid and realises the horrific circumstances of her young life, she screams pathetically for her mother. She is employed as a domestic helper but the employers treat her no better than a stray dog. She is forced into backbreaking work and subjected to more sexual abuse and beatings. Her innocence crushed at such a young age, Rubys terrifying descent into madness is both convincing and understandable.


Jimmys fate is equally tragic. Taken from his mother at the age of two, Jimmy (Elliot Maynard) is a mischievous boy with a sense of humour. Eager to be adopted so that he can have a family, Jimmys hopes are crushed after realising that he will never be chosen for adoption because he is considered too dark. Like Ruby, he is sexually abused and becomes a sullen, introverted teenager and then an angry morose adult, suffering from alcoholism and prone to explosive fits of anger that repeatedly land him in jail.


One day Jimmy, who had been told that his mother died when he was a boy, discovers, while drinking in a bar, that his name is Willie and that his mother is still alive. Filled with child-like excitement but anxious about his mother and how he should respond when they meet, he is abused by racists and drawn into a brawl, which lands him in jail. In the next scene Jimmys ageing mother places 6 birthday gifts on the stage, one for every year her son was taken from her. Slowly she packs them up and then collapses, dying of grief. In jail, Jimmy reads of his mothers death. The opportunity to feel a sense of kinship, to know his only family, his history, his roots, has been cruelly blown away. He feels defeated and utterly alone.


In one of Stolens most moving scenes, Jimmy forms a noose with his belt and declares “Dont let them take babies from their mothers arms. Someones gotta fight. I just cant no more. They stuck a knife into me heart and twisted it so hard. Prison dont make ya tough, it makes ya weak, your spirit just shrivels up inside. Im going now, to be with my mother. I cant fight. Im punched out.”





That Jimmy takes his life is tragic enough, but what makes it real, believable, is the knowledge that he is like thousands of young Aboriginal men, that his efforts to find something worth living for have been fruitless. But while Jimmys death symbolises the final crushing of his spirit, it is also a desperate appeal for someone to fight the injustices that he and others have suffered.


While not all the children depicted suffer the fate of Ruby and Jimmy, they were all affected-people without roots, always conscious of an emotional void, that something is missing in their lives.


Shirley (Pauline Whyman) remembers crying through the back window of the car that took her to the welfare home. The image of her mother disappearing in the distance troubles Shirley all her life. Sandy (Robert Patten) recalls his mother packing him off to different family relatives, with instructions to stay away from the roads to avoid being caught and taken by the “welfare people”. “Always on the run,” he pants lugging the suitcase, which contains his only worldly possessions, wherever he goes. Sandy, who drifts from job to job, is paid less because he is black. He feels out of place in the big, unfriendly city and returns to the “red sand”, his memory of home before being separated from his mother.


Anne (Tammy Anderson), adopted by a middle class white family at an early age, has enjoyed a relatively comfortable existence and therefore faces slightly different problems. Eventually told that her blood mother is still alive, she is deeply confused and concerned. Anne wonders whether she should consider herself black or white and how to approach her original parents. She expects them to be living in the bush, tribal fashion but is bewildered to find them poverty stricken and living in a cramped city apartment. Anne tries to approach the problems with jokes and light-hearted banter but underneath her bravado she is unable to deal with the many complex emotional questions confronting her.


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