Pop Art Analyzed

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This excerpt had some insights, but overall, I found myself quite disappointed by it. Dedicated to attacking the viewpoint of creators of high-art standards with very little basis for such attacks, Ways of seeing seems to be filled with unspoken assumptions that are neither inherently obvious nor, easily understood from the context of the text.

For example, in the essay, Ways of Seeing seems to almost attack art history, spending time quoting and analyzing the works of Frans Hals, saying that it demonstrates mystification by focusing on technical aspects such as contrast and texture. However, Berger does not make clear why the privileged perspective of Hals work that focuses more on the nature of the painting itself than the message it conveys is less correct than some other way of interpreting Hals work. He claims such methods of explanation and analysis of art are tools of the “privileged ruling class” to enforce their advantage.

In Greenburg’s essay’s, he choosing to criticize art intelligently, dissecting the style by giving clear and defined examples of how each style represents itself. For example, regarding Avant Garde, he clearly defines what he is stating. Greenberg explains that the idea behind Avant-Garde is “superior consciousness”, which is basically a way of looking at criticism. Avant-Garde is able to look at society and criticize it’s flaws as well as strengths, developing a new subject for art. In the search for finding the “absolute” in life, the art world arrived at abstractionism and nonobjective forms of art. Avant-Garde creates something wholly new, calling for neither approval nor disapproval.

Greenburg explains how Kitsch on the other hand is more of a pop art. It looks at society and draws from it, trying to appeal to the masses by presenting itself as rash and unrehearsed, when in fact; it is nothing less than mechanical.






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